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Monticello was saved by the Levys
Best Book on Jefferson I've Read
The Complete Story of how Jefferson's Monticello Was SavedNot many American's in the 19th century really cared or understood preservation, and Jefferson's Monticello almost was destroyed through neglect and the horrors of the Civil War.
The Levy family for more than 80 years were the ones singly responsible for saving Monticello. From fighting off law suits, tresspassers, anti-semitism and simple vandals wanting a piece of Thomas Jefferson's tomb, the Levy's keep the dream alive that Monticello would be there for future generations of American's to see and visualize what Jefferson had in mind.
Uriah Levy, and Jefferson Levy deserve this honest rendering of their story, and so do all Americans.
Michael A. Schwartz
Bethesda, Maryland
8/27/02
It doesn't matter whether or not your Jewish thyis story of


A Service To Researchers
Great Research Tool
Two of Americas greatest minds in their own words

Excellent!
Shakespeare, eat your heart out!!!Also, I think it is important to thank the publisher for printing the book in such a small format. Much easier to hold with one hand.
awesome

Life & Times of Dysfunctional Rock n Roll GodsAs they continue to expand the parameters of their chosen genre, the book is an enlightening text that unravels the complications of five gifted musicians, the addition of the first diva in Rock n Roll, and how all ahve evolved into the 21st century. Kudos and plaudits to Jeff for avoiding the tedious, useles rhetoric of most parables of those most emulated and admired as the youth of America in the sixties and seventies and his uncanny knack in showing that even our selected Gods of choice are not as atypical as we might like to invision.
As they live and breath, we also do the same and the demise of one is as pain staking and demoralizing as any death within our own family sturcture.
The affinity to counter culture and those who helped construct it, the music that lealed a generation and the survivors of the day are all the culmination of one of the great books of the genre in the last twenty years......as the syntax of the day would imply..."This book rocks"...
Not For Fans OnlyMany band biographies are merely chronologically arranged trivia books, with an appeal that ultimately does not extend far outside of a circle of hardcore fans. Tamarkin's extraordinarily well-researched book rises above this by painting a richly textured picture of the culture that Airplane (and its various offshoots) sprang from and contributed to.
Tamarkin also succeeds in bringing strong insights into the music with his critical assessments. Here, even the most casual reader can glean why the author would try to iron out such a sprawling, Wagnerian epic... The people who made such music MUST have a fascinating story to tell. They do, and Tamarkin conveys it brilliantly -- setting the bar a little bit higher for music journalism in the process.
Jefferson Airplane Biography Takes Off!It runs to over 400 pages, including 16 pages of black and white photographs, some of which have not been published before. It has a foreword by Jan Wenner and an introduction by Paul Kantner. Tamarkin then proceeds, over the course of thirty five chapters, to tell the tale of the turbulent flight of the mighty airmachine - essentially from its inception in1965 until the Airplane re-union of 1989. In order to do this, he has interviewed most all of the (surviving) key participants in the turbulent tale - not only all the band members from the various incarnations of JA (and HT/JS) but many of the managers, producers, back-room staff and friends of the bands as well - and some of these he's interviewed more than once. (In fact, excerpts from some of the early interviews did appear in Relix magazine a few years ago.) He's taken all that information, some of it conflicting - as people's recollections and opinions inevitably differ - and has tried to make sense of it, forging it into a readable narrative of shape and substance.
But after all the hard work on Tamarkin's part and the eager awaiting on ours, what you want to know is: is it a good book (in terms of style, content, veracity and explication)?
The short answer is yes - at least on three and a half out of four counts; (I personally would have liked to read way much more analysis and interpretation - "the why of making music," as Kantner terms it in his introduction).
What Tamarkin has produced is in fact a very good book. It's a highly readable account of the life and times of the band. The story is built up chronologically by introducing the key players one at a time, in each case supplying enough background to explain how they got to the point where they founded/joined Jefferson Airplane and in some cases how they came to exit it as well. For anyone previously unfamiliar with the detailed history of JA's inception and early days, this will make fascinating reading. Coverage of the remaining five years of Jefferson Airplane gets a slightly less comprehensive treatment and the life and times of Hot Tuna, Jefferson Starship (then SVT, Vital Parts and so on) even less so - though Tamarkin obviously does hit the key events and seismic shifts in some detail.
What they did and what happened to them is entertainingly and faithfully narrated (the Matthew Katz legacy, the sexual pairings, the drug busts, the troubled relationship with RCA, the changes in personnel, the escalating craziness, the gradual emergence of Hot Tuna, Grace's alcohol intake, Marty's uncomfortable role in Jefferson Starship, the collapse of JS to Starship et cetera) and this is tied to the cultural and political events of the years as well (the rise of Hippie, the death of Hippie, assassinations, anti-war activities, the increasing polarisation of American society through the sixties, the long shadow of Republicanism, MTV and the rise of the global media jukebox). On the level of what happened it works well and there are many instances where Tamarkin is very insightful in relating external developments to what what was going down within Jefferson Airplane. He also provides many interesting details along the way: I did not know that Balin's submitted artwork for 'Surrealistic Pillow' was blue, not pink; that "Fat Angel" was inspired by Mama Cass Elliot; that Jorma was strung out on heroin during the Airplane reunion; who the inspiration was for Paul's song "Revolutionary Upstairs Maid." This is fascinating stuff. It also has a lot of very funny stories - Hot Tuna's Jamaican escapade and Reality D. Blipcrotch's vision for the 'One' album to name but two which actually had me laughing out loud. Naturally, there's also a wealth of great quotes; and generally these have been blocked out from the text for emphasis.
Of course, much of what is written will not be new to hardcore Airplane fans and obsessives; nonetheless it is very valuable to have the whole story laid out end-to-end like this and to read verbatim Paul's or Marty's or Jorma's or whoever's comment on a certain event or individual. I enjoyed it and I'm sure that for anyone less steeped in knowledge of Jefferson Airplane /Hot Tuna/ Starship, 'Got A Revolution' will be compulsive and enlightening reading.
Tamarkin rounds the whole saga out with a 'where are they now' section which is quite fascinating as it brings us up to date with what happened to over forty of the key and minor characters subsequent to 1989 (for the core crew) or whatever point they ceased to be directly involved in the flow. He then provides some useful reference sections at the end: a bibliography, a discography and a list of online sources/resources and an index.
Everyone who loves the music of JA will want to read it and will come away with a better understanding of how it all happened. So thank you, Jeff Tamarkin, for your devotion to your subject, for your love of Jefferson Airplane and for your perseverance in bringing this book to life. For too long there has existed a hole on the musical bookshelf between The Jam and Elton John - this book handsomely fills that gap. I'm off to read it for a second time.
I'll write a fuller review in the Airplane/Starship fanzine Holding Together.


A groundbreaking novel for a new genre!
Christian SF literature
This book kicks derriere!

Ripping new ground
Ooooohh...
Deliciously Torrid!

Why I like his writing style
The Team Pulls You In
This is a Very Good Book !!!...

Diving texts lag behind in their layout
A Classic
Passed the Boards!

Excellent, if one sided.
Jefferson: The VirginianThis work is one of the first comprehensive biographies of Jefferson's life. This is the first of six in the complete set. Malone is a distinguished historian so you will read about Jefferson's ancestry, along with Jefferson's youth, education, legal career, his marriage, the construction of Monticello. Not that was enough for one man's life, but we see the writing of the Declaration of Independence and Jefferson's work on the "Notes on Virginia."
We get an insight as to how Jefferson conducted his highly successful legislative career and his governorship. But what we do NOT see is the soul of Jefferson... the man, the human being. We get facts and more facts about a very complex individual and a monumental man. But the richness of the breath of life is left out.
Nonetheless, the book is a very scholarly work, one of the first to complete a comphensive work on a mulitfarious man. I enjoyed reading this volume for its historical importance and significance. This volume lays the ground work on which all of the other volumes set.
This work being well documented is a good start into reading about the life and times of Thomas Jefferson. One fact the comes through loud and clear... Jefferson is a Virginian foremost and always... there is no mistaking that fact.
At the Threshold of GreatnessJEFFERSON THE VIRGINIAN begins things with Jefferson's birth into a family of much distinction. His father Peter was a noted surveyor and a man of inordinate physical strength who nevertheless died fairly young (in his fifties). The book covers Jefferon's education at William and Mary (at a time when formal education was not a widespread thing, even among the gentry), his law practice, his beginning the construction of Monticello (which would preoccupy him right up until the time of his death), his terms in the Virginia House of Burgesses (one of which was served after his governorship), his writing of the Declaration of Independence (his initial version, a scathing indictment of King George, had to be toned down by his compatriots), and his controversial governorship (in which he sustained much of the blame for the British army's inroads into the Old Dominion state). It ends with his appointment as an American ambassador to France.
Obviously this is no primer on Jefferson. Malone spares no detail. His prose is fastidious, elegant, and easy to read, although you may find yourself putting the book down from time to time to absorb what you have just read. Overall, Jefferson emerges here as a man naturally scholarly and reclusive, content to build his home, pursue his studies, and tend to his family, who is pushed into action by the obligations of his caste and by his own fervent patriotism.
Malone has been criticised for writing a virtual hagiography of Jefferson, ignoring the "darker" aspects of the man's personality. In other words, unlike Fawn Brodie, Malone did not reduce his subject to some psychological cripple and sex deviate. The charges are balderdash. Malone DOES recognize Jefferson's flaws (e.g., his lack of a sense of humor and his sometimes indecision in taking action). He simply refuses to turn Jefferson into a whipping boy for his own ideological preoccupations.
This is as complete a contemporary biography as we will probably ever get of this great man.


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